BATMAN ETERNAL #1 (REVIEW)

Batman Eternal #1

Writer: Scott Snyder
           James Tynion IV
           Ray Fawkes
           John Layman
           Tim Seeley

Artist: Jason Fabok

Cover: Jason Fabok
          Tomeu Morey



The Rundown:
The story begins where it is set to end. Batman beaten and battered, tied to a broken Bat-signal, as the city burns around him. Flash forward to the present where Harvey Bullock is picking up a new recruit who was heavily sought after by Jim Gordon himself, Jason Bard, from the train station. Elsewhere, Gordon is in the middle of a gun fight with Pyg and his henchmen, protecting some children while waiting for Batman to make his entrance. Which he does just in time to save Jim and the kids from Pyg's gun totting airplane. Batman and Gordon pursue Pyg and his men, with Gordon taking the stray and Batman focuses on apprehending Pyg. Jim Gordon follows the man onto the subway tracks and has him cornered while ordering the perp to drop his weapon. After a count of three, Gordon fires a shot, but it passes through the man, hitting an electrical box behind him. This causes an explosion and a fire to start on the tracks, quickly followed by the derailment of the approaching subway train. Batman is able to save Jim Gordon, and warn Bullock and other officers who arrived at the scene.
The damage is massive, and the death toll will be enormous. Acting quickly, Hady calls for the arrest of Commissioner James Gordon. An act that is carried out by a hesitant Jason Bard who's on his first night on the job. But, is put at ease after Jim gives him his blessing to place him under arrest. Flashback to the "end" of the story, where we once again see a bound, broken Batman with a voice asking him if he can see the grand design in it all.

The Review:
An extremely well done initial issue for the new weekly Batman series. The story felt like it was the beginning of something huge and eventful. It left us with tons of questions and of course anticipating the next issue and how all of this plays out. From page one we are left wondering who was able to get the drop on Batman and engulf Gotham City in flames. Is it a new villain? A returning villain coming back in a huge way? Even the events involving Commissioner James Gordon left us with quite a few questions. Is Jim losing his mind? If not, then who is working him this way? And even with Jason Bard, are we about to watch Jim Gordon groom his future replacement? Or is he a part of what is happening? The appearance is given, but even Bard's backstory is very similar to that of Gordon.
The art work was top notch from start to finish. With almost every single panel telling the story nicely and being visually appealing. With it being a weekly title there runs the risk of having to speed through the work, here is hoping that upcoming weeks are just as good as this one was.
Overall, it was an amazing issue, with a team of writers (although three of them are consultants) that big it is expected that the story would be up to par, and in this case went above and beyond that. As did the art, and they complimented each other nicely. What is even better, is that we won't have to wait a month to see what happens next!

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BATMAN: THE DARK KNIGHT #29 (REVIEW)

Batman: The Dark Knight #29

Writer: Greg Hurwitz

Artist: Jorge Lucas
          Ethan Van Sciver

Cover: Ethan Van Sciver
           Hi-Fi




The Rundown:
Things pick up where last issue left off (find review for #28 HERE), with Batman plummeting from the sky. Falling towards the city streets below after a battle with the Abraham Langstrom's version of Man-Bat. Although nearly ripping himself in half, Batman is able to save himself from certain death. He makes a quick stop at the Batcave and Jim Gordon's office before heading to Langstrom Mansion, to confront Abraham who is back in human form enjoying a meal. Purposely keeping his words in a theoretical manner as to not implicate himself, Abraham explains to Batman why he chose homeless people as his victims. Stating that nobody would miss them, to which Batman replies, that he misses them. Batman then heads to Kirk Langstrom's Lab to ask for his assistance in stopping his father, already having the antidote, he needs help administering it. Batman says that he thinks he has learned something from Kirk's actions in Detective Comics #19.
Abraham awakens and injects his form of the Man-Bat serum, transforms, and heads out into the city. He smashes his way into a homeless shelter looking to feed, when one of the homeless men takes charge and directs everyone out of the room to safety. Man-Bat attacks the man, sinking his fangs into the persons chest. While he feeds, it is revealed to be Batman, who has apparently ingested the antidote and sacrificed himself so that the antidote would make its way into Abraham's system. Batman is barely able to hang on long enough for the antidote to take effect, and reverts Abraham back to his human as the police arrive to catch him red handed.

At his trial, Abraham Langstrom is let go after pleading temporary insanity. He is proud om himself, joking with the media until a homeless child tells him that he killed her father. Abraham's demeanor changes quickly as he says no more questions and returns to his home. While home, Abraham Langstrom tells us of how he now waits and watches to make his move. While the city (Batman) watches him right back.

The Review:
The long story arc of Man-Bat, or Man-Bats, was brought to an end nicely. Using the events from Detective Comics #19 brought things around full-circle. At times it felt as though they were over saturating the Man-Bat character with the addition of She-Bat and an alpha form of Man-Bat. However, with a pretty good story by Greg Hurwitz, it all made sense  and added to the character of the New 52 version of Kirk Langstrom and Man-Bat. It helped that they kept the Man-Bat serum within the Langstrom family (with the exception of the al Ghul's army of them) and not some random character, as now there is room for future stories involving Kirk and Abraham, their father-son relationship problems and now Man-Bat issues.
The art was done by two artists, with Ethan Van Sciver continuing on his work from last issue in the first five pages, and Jorge Lucas taking on the rest of issue #29. Ethan's work was top notch, and preferred of the two. The title page was double-paged, and looked amazing. Almost looked 3-D. Now, Jorge's work wasn't bad, it was a touch rough, but it did its job and told this story well. It didn't help that the two styles were very different and did not transition into each other well. His final panel on the last page was top notch itself.
Overall, it was a solid issue getting a 4-out-of-5, and was a good ending to the Man-Bat story arc which I'd give 3.5-out-of-5. It will be interesting to see how soon they choose to involve the character, or even the newer version in Abraham Langstrom's Man-Bat, after almost over using the character within on story.

I thought that the series was ending on issue #30, however it looks as though this was the last installment of Batman: The Dark Knight. Perhaps it was simply a mistake over on DC Comics and there will be an issue 30. If not, they ended this story arc in a manner that works as a finale for the title. I don't really consider it the end, as more of a renaming with it is simply making room for the new Batman Eternal series. But overall, it was a decent title and was great for giving us some of the new origins for Batman's rogues gallery. Hopefully something that the other Bat-titles will continue on. For more Reviews, News and more on Comics, Movies, TV, Games and Wrestling be sure to check out The Non-Geeky Nerd! Until then...

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BATMAN #29 (REVIEW)

Batman #29

Writer: Scott Snyder

Artist: Greg Capullo
          Danny Miki

Cover: Greg Capullo





The Rundown:
The story returns back to the Zero Year story arc, after a single issue preview of Batman: Eternal. Things begin with a flashback sequence, with Thomas and Martha Wayne picking up a young Bruce from the GCPD headquarters, after being picked up after sneaking off to see the Zorro film. Thomas teases his son a little bit after Bruce was asked his thoughts on the movie (a favorite of Thomas') and said that is was "dumb". Thomas says that they must see the movie again, and it must be now, ditching the fundraiser they were pulled away from.
Back to the "present", where we see Batman breaking free of his burial beneath a ton of human skeletons. He immediately contacts Jim Gordon, who is currently assisting in evacuating the city because of the Super storm that has hit. Batman tells Jim of Nygma's plans and that Jim needs to take Nygma down at Wayne Tower where he is located, but to also stop the city from turning the power back on as it will give Nygma what he needs to control Gotham. Commissioner Loeb and others are above the city in a blimp looking to take down Nygma and Batman, who he still believes are working together, when something catches the attention of everyone outside. We see a variety of panel showing people looking up in the sky as the Bat Blimp emerges from the clouds. Batman is searching for Nygma's weather balloon where there is a way to shut down his plans. Jim tries to convince Officer Corrigan to not turn the power to the city back on, but despite Gordon's pleas, Corrigan informs him that not only is the power going to be turned back on, Loeb is transferring him back to Chicago. Back on the Bat Blimp, Batman is trying to push the blimp higher and higher into the storm despite things malfunctioning and exploding. He sees the weather balloon, and is forced to make a suicidal leap and barely grapple onto the balloon. Upon his arrival he is greeted by Scar, who plans to show him how unwelcome Batman is.

At Wayne Tower, Jim confronts Nygma, who is sitting at a desk and a string wrapped around his finger. It is quickly revealed the string is attached to a bunch of pulleys all of which are holding a five ton boulder above Jim's head. The trap is unleashed, although narrowly misses Gordon, it crashes through the floor causing Jim to fall behind it. On the weather balloon, Batman and Scar are battling it out as Batman attempts to convince Scar to let him stop Nygma and his plans to kill thousands of people. It goes unwarranted as it was Nygma who helped Scar after he was fired from Wayne Enterprises, both financially and convincing him he was doing things for the greater good. Scar knocks the jammer Batman was going to use from his hands, and stops him from recovering it as it plummets off the edge. Batman kicks into gear and proceeds to break Scars bones in a variety of places, leaving him a mangled heap on the floor. Scar proclaims is change in theories after his sons life was taken so easily during a routine mission in the military, as Batman attempts a new method in shutting down Nygma's device. Scar is also snapping his bones back into place as he is talking and is able to sneak up on Batman who is focused on the device. Scar gets a few shots in before what Batman was doing explodes, engulfing Scars body with shrapnel. Batman pleads for him to remove them before his bone healing ability works against him and kills him with the shrapnel still lodged in his body. Scar refuses, asking only that Batman carry on his story, before perishing in the manner Batman said he would.

Back in the city, Corrigan and others attempt to turn the power to the city back on, but the only thing to light up was a question mark on the grid map before them. Out on the streets, Nygma is standing amongst the people leaving the city, holding the device/briefcase. He then pushes a button on his briefcase initiating and achieving control of Gotham as well as his others plans. Which at the moment consist of blowing up the retaining walls, beginning to flood the city, as well as taking control of the blimp Loeb is in, causing it to and other blimps to crash and explode. Enraged, Batman begins to pummel the device before him as we get a mix of this, the chaos amongst the city including the weather balloon beginning to fall from the sky. As well as, some flash backs to the Wayne family exiting the movie that they had set off to see earlier, including the moments when Thomas and Martha's lives were taken in front of Bruce, leaving him helpless screaming out for help.


The Review:
Another amazing issue by all talent involved in this one, as well as the Zero Year story arc which has delivered with every issue so far. Scott Snyder once again show why he was chosen to take on the writing for Batman for the relaunch and going forward. He was able to take a much over played event in Batman's history and made it feel fresh and unique, yet staying true to form with events surrounding Thomas & Martha Wayne's death. It has me intrigued as to how he has chosen to write out the rest of Bruce's traumatic moment, which was also slightly intrigued by a panel that just reminded me of The Joker. I had to go check my stash to see how long "Zero Year" has been taking place. and that is is about the same length as "Forever Evil". The difference between the two, is "Zero Year" hasn't felt that long, and leaves us wanting more of Snyder's vision of a modern aged Batman. Although there is another chapter of "Zero Year" to come, I couldn't think of what this is all building up to. Then I remembered it wasn't long ago a certain someone took a plunge in a specific vat at a known location. Just what I think, but then again I have a preference for the clowns in comics. Also, with the upcoming "Batman: Eternal" being a weekly title and dealing with the "now", it is possible "Zero Year" could be a very long ways from being done. And as long as Snyder can keep this up and have itching for the next issue, we're okay with that.
Capullo along with Miki, delivered again on the art side of things. Almost every panel was top notch, with the detail being good, even down to the water bouncing off the streets. Keeping in line with Snyder, they took a slightly overused panel, a Batman silhouette in front of a bolt of lightning, and gave it a fresh interesting look. The flashback panels were nicely done having a soft tone to them, however the panels involving Thomas and Martha's death, were intense yet subtle. Again giving it an original feel to them. Of course Capullo and Miki delivered in translating Snyder's words, telling us this great installment on the visual end of things.
Overall? Quite obvious. Great story that is a part of a great story arc, that again is just as long as "Forever Evil" yet hasn't felt that it needs to finally end. Other than the villain I mentioned above, curious to see if any other members of Batman's rogues gallery will appear within this origin based arc. That includes both new and old characters. Feel free to weigh-in with your opinions in the box below, either here or the posting that you found this. Until then...

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DETECTIVE COMICS #29 (REVIEW)

Detective Comics #29

Writer: John Layman

Artist: Art Thibert
          Aaron Lopresti

Cover: Guillem March





The Rundown:

The story begins showing "Gothtopia", a bright and sunny Gotham City, filled with happy and content citizens, while Batman reminds us all that this is not Gotham, this is all a lie. A lie that belongs to the Scarecrow, and a lie he must play along with. Batman is pretending to be under the control of Scarecrow, thanks to his new formulated fear toxin, and must play along in order to maintain his cover. Scarecrow aka Jonathan Crane, is showing off his accomplishment to his villainous cohorts, Mr. Freeze, Pyg, Merry-Maker and Harley Quinn. And informs them that they are free to kill Batman if they suspect he isn't under Crane's control, as Batman will be accompanying them while they venture out to perform their experiments. We see flashbacks to last issue where Batman was teaming with Poison Ivy to take Crane down when they were confronted by Batman's allies, all under Crane's control. Needing to gain Crane's trust, Batman incapacitates Ivy, before being hit with a whiff of Crane's fear gas. Batman breaks down the effects for us, telling us how it begins with either hot or cold sensations, followed by the feeling of insects crawling all over your body, finished with a flood of the persons deepest fears at an intensified level. Batman's of course, was the death of his parents. 

Back to the present, again not wanting to break cover, Batman plays along with Crane's cohorts as they hit the town in search of test subjects. Batman even takes the lead in performing the test using the gas on the victim and then gathering a sample for Crane. We find out that the samples are used to create new toxins within Crane's current formula, which he also plans to cover the entire state with via blimps. Batman reveals to us that he purposely led Merry-Maker and Pyg to the homes of criminals to perform the tests, criminals who will now suffer possibly permanent nightmares of Batman, and hopefully think twice before breaking the law. As for the samples, Batman had slipped in an antidote, that when mixed into the original formulas causes a chemical reaction triggering an explosion, and unleashing the new antidote-laced fear toxin, reversing the original effects. Batman's allies regain themselves, and begin to take down Freeze, Harley, and others. Just as Batman is about to apprehend Scarecrow, Crane uses his claws to stab Batman in the chest, killing him, and reclaiming Gotham. 
We then see Crane wearing a straightjacket hallucinating in a padded cell at Arkham Asylum as Batman, Jim Gordon and Dr. Arkham look on discussing the situation. Jim points out the Ivy wasn't accounted for to which Batman plays dumb, revealing to us that for helping him save Gotham, he gave Ivy a pass this time. Upon a rooftop, Batman is confronted by Catwoman, who was looking to discuss the events in the previous issues, and how they were together. Batman pushes her away, despite knowing they have feelings for each other, and receives a message from Alfred reporting multiple situations. Story closes with full page panel of Batman taking on Clayface.



The Review:
Was a pretty good ending to the "Gothtopia" story arc, and was written quite well. It was also a good example of how to give fans a really good story, but not drag it out too long (see Forever Evil). I wasn't a fan however of how Harley Quinn was used, nor Freeze, but with Harley it was a complete filler role, and conflicts with the events of her current solo title. As much as I love Harley and I know stories rarely line-up time wise, they should've used another character though with how small it was. Merry-Maker and Pyg got more face time and lines. I did really like the slight twist ending, with Scarecrow apparently killing Batman. Initial reaction was, "this is continuing on?" but was pleased with the "oh ya, the antidote" follow-up thought as I turned the page. Layman's run was decent one, although at times sidetracked by other events taking place in Batman's universe. Will be interesting to see what direction the new writer (come next issue) take the Dark Knight in DC Comics' namesake title.
 Art and Aaron really performed very well in the art department. The visuals both told the story very nicely, but also delivered an even quality in almost every panel. Another thing with Harley being used, they could have also perhaps kept with her more current look, if again she had to be used. However, I am also not really a fan of the "Suicide Squad" look as I call it. Compared to the overall art though, this is a very small complaint. The inks and colors were spot on as well, helping make the pictures pop off the page when needed.

Overall this was a really good issue. The art as mentioned was really good, and this was a well done, classic Batman ending to a story arc. The creative team went out on a definite high point as things switch up come next issue. With "Gothtopia" being quite interesting and very well done, the new crew will have some big shoes to fill. Until then...

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FOREVER EVIL: ARKHAM WAR #6 (REVIEW)

Forever Evil #6

Writer: Peter J. Tomasi

Artist: Jaime Mendoza
          Scott Eaton

Cover: Jason Fabok





The Rundown:
Bane has returned to Blackgate after his previous battle while dawning the mantle of Batman, and after being bloodied and wounded, he allows himself a moment to heal. The Talon known as William Cobb is seeing to the other Talons who are also recovering from their last battle as well (see Forever Evil: Arkham War #5). Suddenly, Blackgate Penitentiary is invaded by a group of juiced up and jacked up, Arkhamites who begin to attack Bane's men and Talons. The Scarecrow is leading the way with the likes of Poison Ivy, Man-Bat, Black Mask, Mad Hatter, Mr. Freeze, Killer Croc, and others. Cobb is trying to thwart them but is engulfed into Clayface as we learn that they have enhanced their size and strength with Bane's favorite drug, Venom. Bane makes his entrance into the battle, striking from above smashing his fist into Clayface's "skull", freeing Cobb. Scarecrow informs Bane that he was able to synthsize Venom from a sample of Bane's own blood, and that they were here for a basic "snatch and grab" as Man-Bat swoops in and lifts Bane away. The Arkhamites are "ordered" by Scarecrow to kill them all as they begin to attack some more.

Bane does not struggle as Man-Bat carries him to his destination, wanting to finally have the final battle for Gotham City. Man-Bat poetically (Bane's words) delivers Bane to the front door of Arkham Asylum as the Scarecrow and his comrades arrive via helicopters. Bane opts to attack the m head on all at once, and holds his own pretty well until a blow right on the chin from Killer Croc puts an end to that. It even caused Bane's mask to lift up away from his mouth. Bane, ever the warrior, doesn't quit and continues to keep fighting. Bane begins to take them each down as he knew would happen once the Venom in their systems began to wear off and take their tolls on their bodies from the withdrawal. Something Bane knows all to well, but reminds them that he had the power and strength to push through and over-come the pain.

As Bane finishes up with the Arkhamites, The Penguin aka Oswald Cobblepot, and his goons arrive bearing a gift. A supply cache for Bane to take care of his men/soldiers with. Cobblepot also offers his help and experience  in exchange for the villains that Bane has recently beaten down. He agrees to the deal with The Penguin, with one exception, that a certain Arkhamite remain with him. Oswald gladly agrees. The story closes out with Bane discussing how his plans have changed now that he has the Talon's at his disposal, but regardless, it is finally his. Gotham City belongs to Bane.


The Review:
As a Bat-Fan this sub-story from the main events of Forever Evil has been quite nice. Add that come issue number thirty, "Batman: The Dark Knight" comes to an end, and was a title that was more focused on Batman's rogues gallery. So, these jam packed issues have been quite nice in those regards. Usually when something is "loaded" like this, the writing seems to take a break or the easy routes with the stories. Not the case with this one, continuing on from great work within "Batman And Robin", Tomasi delivered with his writing. I am big Joker fan, but even I couldn't think of a better person to be the "Villain-Batman", than Bane. He's one of, if not the most "militant" of Batman's enemies, which is how Bats tends to approach things and his family being his "soldiers". Even having Bane acknowledge in the beginning of this issue that he and Batman are the same in that they are "only human". Usually I prefer them spread out like he did in the early issues of "Batman And Robin", but I enjoyed having different villains using Venom. I also really liked how that even by using Venom they were still unable to defeat Bane, as the drug may be his person PE, it isn't what "makes" him. Similar to baseball of today, if you don't have the skills to hit a curve ball, then steroids which make you stronger and faster, do not give one the ability to hit a curve ball. Did I just make a sports reference? Time to move onto the art I think.

Not sure who drew what, or if one was the pencils and ink, while the other was the colorist. I do know, that they delivered an artistically fantastic issue, that wasn't over the top even though the option was there to do so. There wasn't much slack showing in the "less important" panels, keeping it with the flow of the rest, and made very good use of the double-page and single full-page panels. The two-page spread of "Venomized" Arkhamites was poster worthy. Jason Fabok did the cover work, which was okay, but not "great" to where I would have a different artist do it instead of the people who did the work within it. If that is all I am complaining about then it is another notch in the win department.

Overall, it was a good addition to the mini-series. It did seem almost like more of an ending issue more than a build up to the final installment though. Will have to see if this is a good thing or a disappointment come next issue, as perhaps there is an ending not needing of any sort of build up. Likely not the case, and the treat in all of this was simply having Batman's rogues gallery as the focus as a group instead of their individual battles with the goddamn Batman. Which isn't too bad, as it doesn't happen on such a large scale that often. And it also offered a slight break from the main events of "Forever Evil". It all ends come next issue. Until then...

Stay Nerdy!

BATMAN: THE DARK KNIGHT #28 (REVIEW)

Batman: The Dark Knight #28

Writer: Greg Hurwitz

Artist: Ethan Van Sciver

Cover: Ethan Van Sciver






The Rundown:
Jim Gordon and the G.C.P.D. are investigating a homicide where once again victims were drained of their blood. Batman gets samples from Gordon and immediately heads after Dr. Kirk Langstrom, who informs him that the tests Batman will run will show he wasn't responsible, believing him Batman leaves. We are introduced to Abraham Langstrom, top man at Patriarch Pharmaceuticals and Kirk Langstrom's father. He steel nerved, immoral business man who has bought up every drop of the Man-Bat serum across the globe, and has become addicted to the effects after having become Man-Bat himself.
At the Batcave, Alfred points out how Man-Bat is Batman's opposite in both name and characteristics, when the tests complete, revealing to them the identity of the new Man-Bat, Abraham Langstrom as we learned previously. We learn from Abe's point of view how it feels to be Man-Bat as he feeds on another victim, and how primal instincts take over, which is to hunt and feed. Bruce goes to Lucius Fox for assistance in developing an antidote, who explains the family history between the Wayne's and Langstrom's. Abraham was Thomas Wayne's rival in all aspects from business to philantropy, but despite that, Abe seemed to have an admiration for Bruce as a child.
Kirk confronts his father as he returns from his hunt, who in turn begins to belittle Kirk as he points out how he has made a superior serum, and how he's always been an embarrassment to him, wishing he was more like Bruce Wayne. He even reveals to Kirk that he isn't above killing his own son if he gets in his way, before going to rest (while hanging upside down from a bar). Alfred reaffirms Abe's words while detailing more about the families history, explaining also that despite all of Bruce and Abe's similarities, it is Bruce's moral compass that sets him apart. Bruce heads out to face Man-Bat, antidote in hand. Upon confronting him whilst in the air, he points out how Abe's version is far superior in size, strength, as well as a thicker skin/hide than previous Man-Bats/She-Bats, which causes him to break the needle, then begin to fall from the sky to the streets below as the story concludes.



The Review:
Another issue that I wasn't "looking forward" to reading upon seeing that it was another Man-Bat story. Having had at least two that I can think of already since the relaunch, which were well done mind you, it was just time to cover another character. However, I quickly had those feelings taken away after reading which could be (see how it ends) the best one of them yet. Hurwitz added not only to Man-Bat/Kirk Langstrom's history, but also added some of that depth to Batman/Bruce Wayne's also. And, despite them borderline saturating the character of Man-Bat (Kirks, She-Bat, Abe's, Talia's Army and the citizens in DC#700) he has delivered this story very nicely so far.
In some spots I wasn't too sure about the art, a continued issue from previous issues but overall this time it was done well. It told the story as it is meant to do, and the frames and panels with Abraham Langstrom's Man-Bat were top notch, and actually "looks" like the alpha Man-Bat, but in the good way, not an over-the-top cheesy way. I would like to see some "crisper" lines or a style similar to the work done on the Man-Bat parts, as again they were really good, but stood out more because the rest wasn't "as good". Just my opinion of course, it still did as it was meant to, and that's deliver the story that can't fit in word bubbles, and Ethan did that well.
Overall, this was a really good issue. The series at times has had a few "misses", but seems to be going out like a champ with good "silent" issues, and now a really good addition to the Man-Bat and Wayne Family histories the series almost feels like it shouldn't be coming to an end. For those unaware, this title along with Nightwing are coming to an end at issue #30, but do not fret, somewhat going away to make room for the upcoming weekly Batman: Eternal.

Stay Nerdy!